Resources → Typography
Book Binding
Alternative Bookbinding [+][+]
Bonefolder [+]
Book Binding Introduction [+]
Bookbinding Hand Sewn [+][+][+][+]
Encuadernacion de Libros [+]
Folio [+]
How to Make a Perfect Bound Book [+]
Philobiblon Tutorials [+]
Talas Bookbinding [+]
The Making of a Letterpress Book [+]
Wilsey Rare Books Glossary [+]
Book Design
A Look at the New Digital Version of Wired Magazine [+]
Book Covers Blog by C. Papasadero [+]
Book Covers by David Pearson Design [+]
Book Design Tips [+]
Book News [+]
Book Scanner by Treventus Mechatronics [+]
Bookshelf Porn [+]
Brian Dettmer Book Art [+]
Calaméo Publisher and Browser [+]
Canons of Page Construction [+]
Checklist of (Aldus Manutius) Editions Owned by BYU [+]
DTP Forum [+]
DTP Tutorials [+]
Edward Tufte - “Ask E.T.” [+]
Euclid’s Element of Geometry [+]
Flipboard for iPad [+]
ILAB League of Antiquarian Booksellers [+]
InDesign Scripts by T. Silkjaer [+]
Joe Kral's Book Collection [+]
MA Book Design University of Reading [+]
Mag+ “Reading Magazines on Handheld Digital Devices” by Bonnier and BERG [+]
Manystuff [+]
NYTimes Book Design Review [+]
Octavo Editions [+]
Old-Timey Paperback Book Covers [+]
P-DPA (Post-Digital Publishing Archive) [+]
POD/ODB,OnDemand-Books [+][+][+][+][+]
Pagehand Word Processor [+]
Photopolymer Platemaking by Hand [+]
Prepress Forum [+]
Quite Imposing Guide 1.2 [+]
Recto and Verso [+]
SHARP Society of Authorshio,Reading and Publishing [+]
The Making of a Letterpress Book [+]
The Typographic Mind [+]
Tschichold on Dust-jackets [+]
Twitter Book by Ether Press [+]
Typeface Paring i.e. Mixing Type [+][+][+][+][+]
Understanding and Working with Print Signatures and Folding them Into a Booklet [+]
he Designer’s Review of Books [+][+]
“2 1/2 lc Alphabets; 75 to 80 Characters per Line” by W. Berkson [+]
“A Tribute to the Printer Aldus Manutius,and the Roots of the Paperback” by J. Schuessler [+]
“An Interview with Jim Felici” by F. Romano [+]
“Balancing Typeface Legibility and Economy” by V. Gaultney [+][+]
“Book Art & History” by C. Knops [+]
“Book Design Pt.1” by J.D. Berry [+]
“Book Design Pt.2” by J.D. Berry [+]
“Book Interior Design” by D. Margulis [+]
“Book Typography” by Mitchell and Wightman [+]
“Books In the Age of the iPad” by C. Mod [+][+]
“Break Up Big Blocks Text” [+]
“Choose a Comfortable Measure ()” by R. Bringhurst [+]
“Choosing a Font for Book Design” [+]
“Consistent Correlation Between Book Page and Type Area” by J. Tschichold [+]
“Designers Discuss InDesign Typography Tips” by P. Cady [+]
“Digital Is Not an Excuse for Bad Typography” by R. Fink [+]
“Explorations in Typography” by de Bartolo and Spiekermann [+]
“Faber Finds Generative Book Covers” by G. Lucas [+]
“Font for Multilingual Books” [+]
“Friends Make Books” by J. Miceli [+]
“Golden Section Illustration” by I. Gulkov [+]
“Hack the Cover” by C. Mod [+][+]
“History,Digitized (and Abridged)” by K. Hafner [+]
“How to Write a Book Proposal” by E. Lupton [+]
“Incremental Leading” by M. Boulton [+]
“Introducing the Book (and the )“ by NRK & IKEA [+][+][+][+][+]
“Introducing the Book (from ‘Øystein & Meg’)” by NRK [+][+][+][+]
“Investigation Into the Physical Properties of Books (1910–1919)” by W.A. Dwiggins [+]
“Is the Future of the Book Digital” [+]
“Islands of Thought in Macrotypography (Linespaces vs. Indents)” by N. Ford [+]
“Justification Advice in InDesign” [+]
“Kerning Features in QuarkXPress and InDesign” by I. Strizver [+]
“Let’s Talk About Margins” by C. Mod [+]
“Like a Pearl in My Hand” by C. Hesper [+]
“Music and Early Language Acquisition” by R. Slevc et ali [+]
“Networked Optimization” by S. Lorusso and S. Schmieg [+]
“Oddest Book Titles” by A. Flood [+]
“On Book Design” by R. Hendel [+]
“Open Book Workshop” by van Dyke and Unikel [+]
“Page Maker Past,Present,and Future ()” by P. Adams [+][+]
“Paragraph Rules” by Y. Peters [+]
“Roycroft’s Journey” by E. Carter (Dædalus,Virginia) [+]
“Students Demonstrate Innovative iPad Book Page Flip” by K. Hodgkins [+]
“Text Principles” by E. Lupton [+]
“The Dire State of Book Typography” [+]
“The Future of the Future of the Book” by S. Heller [+]
“The Golden Section Family” by M. Reynolds [+]
“The Next Page: Thirty TOCs” by AIGA [+]
“The Power of a Limited Palette” by C. Bickford-Smith [+]
“The Reading Brain in the Digital Age,Science of Paper versus Screens” by F. Jabr [+]
“The Reinvention of Print,One App at a Time” by C. Warren [+]
“The Solid Form of Language” by J.D. Berry [+]
“The Transition from Printed to Electronic Book” by ONP [+]
“Top Ten Typefaces Used by Book Design Winners” by S. Coles [+]
“Type Connection” Paring Game by A. Seltzer [+]
“Type That Keeps the Beat” [+]
“Typesetting Mysteries Demystified” by I. Strizver [+]
“Typesetting Tables at 24ways” by M. Boulton [+]
“Typography Is About Reading – And So Are e-Books” by P. Luna [+]
“Unbound [eBook] Pages” by J.D. Berry [+][+]
“What Amazon’s e-Book Strategy Means” by C. Stross: [+]
“What Is Reading? An Excerpt from Reading for Understanding” by C. Cziko et ali [+]
“When Books Are Designed To Be Read” by P. Shaw [+]
“Why E-Books Look So Ugly” [+][+]
“Word Spacing in InDesign” [+][+]
“You Can Read This Book In Your Browser Window” by K. Schwab [+]
“¿Conoces el BOOK?” by PopularLibros [+]
白地図 [+]
Books
Calligraphy
Dedicated Bibliography [+]
Copyright, IP and Licensing
ATypI Five Basic Rules for Buying Fonts [+]
Adobe Type Licensing Information [+]
Creative Commons (cc) [+]
EULA Chart 2005 [+]
End User License Agreement (EULA) [+]
Font Designer’s Rights Coalition [+]
Font Embedding [+]
SIL Open Font License [+]
The Anonymous License [+]
TypeRight [+]
Typeface Name Check [+]
“ Interview with Erik Spiekermann” by J. Lehni [+]
“A Database of American Typeface Design Patents” by L. Schwarz [+]
“Adobe Creative Cloud Now Allowing Fonts to be Added” thread [+]
“Cory Doctorow On Copyright and Piracy” by Laughland and Bennett [+]
“Educating Students About Font Licensing” by I. Kupferschmid [+]
“Fair Use Doctrine and Copyright Law” by A. Larson [+]
“Fair Use at Work in the Visual Arts” by CMSI [+]
“Font Distribution and Marketing: by S. Coles [+]
“Goldman Sans” by Goldman Sachs [+][+]
“How Long Does It Take For a Font to Become Public Domain?” by T. Phinney [+]
“I Read All the Small Print On the Internet and It Made Me Want to Die” by A. Hern [+]
“Is It Realistic To Want To Start Up a Type Foundry?” by J. Middendorp [+]
“Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?” by S. Coles [+]
“Source Sans Pro: Adobe’s First Open Source Type Family” by P. Hunt [+]
“The Business Side of Fonts” by A. Remoundakis [+]
“Thoughts on Web Licensing” [+]
“What Is the Reason For the High Pricing of TEFF’s Fonts” by S. Coles [+]
“What Kind of Fonts Can I Safely Use While Designing Logos?” [+]
“Why Copyright Needs to Change” by P. Le Dieu [+]
“Why Google Web Fonts Aren’t Really Open Source” by M. Butterick [+]
“Why Typefaces Proliferate Without Copyright Protection” by B. Fry [+][+]
Film and Video
33pt Eskapade Dortmund [+]
Abstract,the Art of Design [+]
Barnbrook Films [+]
Calligraphy Movies at MVK Contemporary Museum of Calligraphy [+]
Creative Morning #13: Erik Spiekermann [+][+][+]
Dalton Maag Pure Reversal [+]
ESAD Personal Views Lectures [+][+]
Forget the Film Watch the Titles [+]
Gerard Unger [+]
Graphic Means [+]
Hillman Curtis Films [+]
House Industries [+]
James Earl Jones Recites the Alphabet [+]
J’adore la Typographie [+]
Kurt Weidemann 1922–2011 (Porsche,Mercedes,Deutsche Bahn,etc.) [+][+]
Learning to Set Type 1959 by Whitten-Appleton [+]
Movie Titles Stills Collection [+]
Oscar-winning Movie Fonts 2015 [+]
Printing 1947 by Holmes Films [+]
Saul Bass On Making Money vs. Quality Work [+]
TypeCulture Movie Resources [+]
Typesetting Linotype 1960 by Salesian Vocational and Technical Schools [+]
Typesetting.tv [+]
“A Lesson on Typography” by the Vancouver Film School [+][+]
“A World Inscribed: The Illuminated Manuscript” by K. McDonough [+]
“Analog Learning in a Digital World” by B. Maag [+][+]
“Artist Video Series Inspiration” by AIGA [+]
“Ben Eine” by Graffiti Sessions [+]
“Bicycle Film Festival ’09 trailer” by M. Mucig [+]
“Birth of a Book” by G. Milner [+]
“Calligraphy Movies” by D. Brown [+]
“Carl Dair at Enschedé: the last days of metal type” [+]
“Cities and Their Typographic Associations” by G. Johansson [+][+]
“Colosseo Type” by Knudson and Moll [+][+]
“Earl Kallemeyn on the Art of the Press” by P. Wall [+]
“Etched in Stone” by C. Dave [+]
“Exit Through the Gift Shop” by Banksy [+][+][+]
“Expression in Form,Rhythm,& Movement“ by J. Stevens [+][+]
“Feeling Good” by T.G. Connolly [+]
“Firefly Letterpress” [+]
“Flickermood 2.0” by S. Lange [+][+]
“Font Conference Drama” by College Humor [+]
“Font Fight” by College Humor [+]
“Gail Bichler and the New York Times Magazine” by Frieze Design Matters [+]
“Gill Sans Explained” by M. Dufour [+]
“Hatch Show Print,Letterpress Shop in Nashville Tennessee” by D. Airey [+]
“Heart Made of Sound” by K. Moyes [+]
“Helvetica” by G. Hustwit [+][+]
“Historia de un Letrero ()” by A. Barreda [+][+]
“Introduction To the World of Fonts” by CBS [+]
“Inventing On Principle” by B. Victor [+]
“Just My Type Book Trailer” by Ramchandani and Bierut [+][+]
“Letters in Steen” by M. Bekaert [+]
“Let’s Press” by A. McLeish: [+]
“Linotype: The Film” by D. Wilson [+][+]
“Lost Generation” by AARP [+]
“Martino Gamper Furniture Designer” by Frieze Design Matters [+]
“Monotype Work” by Kat Ran Press [+]
“Moveable Type Truck” by K. Durrie [+]
“Nederland Is Goed In Letters Ontwerpen” by RTL [+]
“Phototypesetting with the Berthold Diatype” by R. Herrmann [+]
“PureReversal” by Build [+][+]
“Reverting to Type” by L. Charlie [+]
“Sidebearings Resources” by R. Toman [+]
“Such Subtle Beauty: Inside the Hammerpress Studio” by Ladesich and Vest [+]
“TXT Island” by C. Gavin [+][+]
“Taller Ditoria” via R. Bolado [+]
“Teaching to See” by I. Druckery [+]
“The Art of Eric Gill” at FactualTV [+]
“The Art of Hermann Zapf” in by H. Peter [+]
“The Art of the Carved Letter” by Muhly and O‘Neill [+]
“The Beauty of Numbers” by S. Kawakami [+][+]
“The Child,NYC” by A. Bardou-Jacquet [+]
“The Dot and the Line: A Romance in Lower Mathematics” by N. Juster [+]
“The Font Song” by W. Thompson [+]
“The Gutenberg Press” by S. Fry [+]
“The History of Typography Animated Short” by B. Barret-Forrest [+]
“The Importance of Being Ernestine” by N. Stössinger [+]
“The Last Punchcutter” by Affanni and Chiapparini [+]
“Thinking With My Fingers” by S. Doyle [+]
“Trip Print Press and The Making of FreshSox” by M. Barrett [+]
“Type Principles Introduction Through Letterpress” by L. Kiang [+]
“Typecast” by K. Cho [+]
“Typeface” the Documentary by J. Nagan [+][+][+][+]
“Typographic Design in the Digital Domain” with E. Spiekermann [+][+]
“Typophile Film Festival 5 Opening Titles” by B. Barson [+]
“Upside Down,Left To Right: A Letterpress Film” by D. Cooke [+]
Font Browsers
Chrome WhatFont Font Inspector [+]
Discover.typography by H&Co [+]
Dreystone Font Safari 1.0 (Mac) [+]
Elementar Bitmap Font System (iPad) [+]
Ergonis PopChar (Mac,PC) [+]
Femmebot Google Fonts [+]
Font Match Google Fonts [+]
Font Path Viewer by D. Sayers (online) [+]
FontBook (iPad & iPhone) [+]
FontGazer Plug-In (InDesign) [+]
FontGoggles [+]
FontShop CS Photoshop (plugin) [+]
FontShop Plug-In (Photoshop) [+]
Fontjoy Google Fonts [+]
Fontpair Google Fonts [+]
Fontstand (Mac) [+]
Fount Javascript Webfont Identifier (online) [+]
Lemke FontBook 4.4 (Mac) [+]
Mixfont [+]
MyFontbook (online) [+]
Neuber Typograf 4.8 (PC) [+]
Photolettering (mobile) [+]
Try.typography by H&Co [+]
Typetester Gallery [+]
Typetester by M. Dugonjić (online) [+]
Typography Insight (iPad) [+]
Universal Specimen [+]
VFB QuickLook Plugin [+]
Vertical Metrics Tool by J. Janeček [+]
Web Font Specimen [+]
Wordmark It by F. Özkaramanlı (online) [+]
Font Editors
AFDKO (Adobe Font Development Kit for OpenType) [+][+][+]
Autopsy Visual Font Auditing [+]
DTL FontTools [+]
DrawBot [+]
Font Remix Tools [+]
FontForge (Mac,PC,Linux) [+]
Glyphr Studio HTML [+]
LS Cadencer Tools [+]
MetricsMachine and Prepolator [+]
Prototypo [+]
RoboFab,; “RoboFab Basics” by B. Kiel [+][+]
RoboFont [+]
Superpolator [+]
YourFonts Handwriting [+]
iKern Tool for Autospacing and Autokerning [+]
“Font Remix Tools” by T. Ahrens [+]
“Font Software Timeline” by P. Amado [+]
“Interpolation Theory” by L. de Groot [+][+]
“Meek Typographic Synthesizer” by Meek and Müller [+]
Font Formats
Font Formats Overview by Adobe [+]
Language Coverage [+]
OpenType [+]
The OpenType Font File Structure [+]
Typotheque Online Font Tester [+]
“About Font Formats” by D. Maag [+]
“Best FL TrueType Export Setting” [+]
“Font Formats” by A. Segalini [+]
“Font Rasterization: the State of the Art” by R.D. Hersch [+]
“OpenType Glossary” by J.F. Porchez [+]
“The Death of The Pixel Font” by Z. Fernando [+]
“The Difference Between OTF and TTF Fonts” by M. Simonson [+]
“The Hidden Glyphs In Your Fonts” by R. Herrmann [+]
“The OpenType Cookbook” by T. Leming [+]
“TrueType Versus Postscript” [+]
“Type Rendering: Font Outlines and File Formats” by T. brown [+]
Font Management
AMP Font Viewer (PC) [+]
Extensis Suitcase (Mac,PC) [+][+][+]
Fontbase (Mac,PC) [+]
High-Logic MainType 1.1 (PC) [+]
Insider FontAgent (Mac) [+][+]
Morrison FontDoctor 7.1 (Mac,discontinued) [+]
Proxima FontExpert (PC) [+]
Typeface (Mac) [+]
X-Fonter (PC) [+]
“Best Font Manager for Mac” by SoftwareHow [+]
“Font Management” by J. Sacks [+]
Fonts and Designers
205TF by A. Savoie and R. Gataud,& al. [+]
<Webtype> MCKL Fort & Shift Web Specimen [+]
<Webtype> News 01/2015 [+]
<Webtype> News 06/2014 [+]
Adobe Type Library Classification [+]
Adobe Type Team [+]
Alternatives to Common Fonts [+]
Alternatives to Helvetica [+][+][+][+]
Alternatives to Times New Roman [+][+][+]
Anthropomorphic Manga [+]
Arno Pro by R. Slimbach [+][+]
Audi Corporate Typeface by P. von der Laan [+]
BF Alpine Script [+]
Bigelow & Holmes [+]
Characters Required by Languages [+]
Chromeography Logos and Lettering [+]
Collettivo [+]
Cyrus Highsmith Interview at Typecache [+]
Dalton Maag BBC Custom Font Family [+]
David J. Ross Interview [+]
De Worde by Jeremy Tankard [+]
Designers List [+]
Donger List [+]
ED Awards [+]
Entypo Pictograms by D. Bruce [+]
Erik Spiekermann Interview at FontFont [+]
FF Legato by E. Bloemsma [+][+][+]
FF Real [+]
FF Skill Set “Advertising and Packaging” [+]
FF Skill Set “Corporate and Business” [+]
FF Skill Set “Editorial and Publishing” [+]
Farewell to Mike Parker [+][+]
Farewell to Peter Bruhn [+][+][+]
Font Bureau [+]
Font Identification Guides by M. Yanega [+][+][+][+]
Font Squirrel Free Favorites [+]
FontShop Best Fonts [+][+][+][+][+][+][+]
FontShop CS Photoshop Plugin [+]
FontShop Newsletter Archive [+]
Fonts In Use @fontsinuse [+][+]
Fontscape by Period [+]
Fontshop Gallery [+]
FontwerkDie besten Schriften [+][+][+][+][+][+]
Foundries List [+]
Free Faces Gallery [+]
Free Fonts 2009 Collection [+]
Free Quality Fonts List by V. Friedman [+][+][+]
Free Quality Fonts by J. Buivenga [+][+]
Gerard Unger Interviews [+]
Global Type Searching For Typefaces [+]
Go Font Ur Self [+]
Google Noto (800 Languages) [+]
Harriet Series Baskerville Revival by J. Cavanaugh [+]
How To Identify a Font [+][+][+][+][+][+][+]
Identyfont [+]
Independent Type Foundries List” by J. Shoaf [+]
Jelle Bosma [+]
Josh Scruggs Interview at Pen Pals [+]
KTF Shöne [+]
Ken Barber House Industries Interview by Gestalten [+]
Kris Sowersby Interview at TAF [+]
LT Fonts in Focus [+]
Lamon by A. Lebedev [+]
Lato Sans by Ł. Dziedzic and Aleo Slab by A. Laiso [+][+]
Legit Free Fonts [+]
Linotype Font Finder [+]
Linotype Fonts by Themes [+]
Loris Oliver Interview at TDC [+]
Lost Type Co-op [+]
Luc Devroye Database [+]
Lucida by C. Bigelow and K. Holmes [+]
MacOS Catalina Font Access [+]
Martina Flor [+]
Matthew Carter Receives MacArthur ‘Genius’ Fellowship [+]
Meta Serif [+]
Mike Abbink Interview at FontFont [+]
Milliard by R. Bieder [+]
MyFonts Best Fonts [+][+][+][+][+][+][+]
MyFonts Newsletter Archives [+]
MyFonts “In Your Face” [+]
MyFonts “Rising Stars” [+]
MyFonts,; [+]
Neue Haas Grotesk by Font Bureau [+]
Omniglot Resources [+]
Open Baskerville Project [+]
Open Font Library [+]
Operator by Andy Clymer [+]
Paul Barnes Interview at Typecache [+]
Pixel Fonts License-Free [+]
Post Typography ‘Alphabet’ Exhibition [+]
STIX v.2.0 by Tiro Typeworks [+][+]
Sharp Ogg [+]
Simula by J. Sloane [+]
Source Sans Pro Adobe Open Source [+]
Specimenism [+]
Sumner Stone TDC Talk [+]
TEFF Lexicon [+]
The 100 Best Fonts of All Time (Die 100 Besten Schriften) [+]
The Japanese Foundry Scene [+]
The Next Web Best Typefaces [+]
The Week In Type by ILT [+]
Triade by Copper and Brasses [+]
Tropical 1950s Retro Type Inspiration [+]
Type In Berlin [+]
Type Specimen Group Pool [+]
TypeCity [+]
TypeSQL Typeface Connection Visualization [+]
Typeatlas by O. Jób [+]
Typedia [+]
Typefacts Die besten Schriften [+][+][+][+]
Typekit [+]
Typofonderie Font Discoveries [+]
Typographica Favorite Typefaces [+][+][+][+][+][+][+][+][+][+][+]
Typophile Designers List [+]
Veer Pool [+]
Veer Staff Picks [+]
WLT “We Love Typography” by Boardley and Pätilä [+]
Webfont Service Providers [+]
by Dalton Maag Ltd [+]
for the Danish School of Media and Journalism [+][+]
“15 Tips To Choose a Good Text Type” by J.P. De Gregorio [+]
“60 Typefaces For Corporate Design” by V. Friedman [+]
“A Few Good Fonts” by E. Lupton [+]
“As Ferrari Is to Cars,Novarese Is To Type” by I. Kupferschmid [+][+][+][+][+]
“Calligraphic Type Design in the Digital Age” by S. Taylor (H. Zapf) [+]
“Creative Alphabets” by L. Frank [+]
“Creative Alphabets” by R. Miller [+]
“Creative Characters” by MyFonts [+]
“FB Input Font for Coding,Process” by D.J. Ross [+]
“Familiar Faces” by A. Haley [+]
“Favourite Fonts” by D.J. Ross [+]
“Font or Typeface” by Y. Peters [+][+][+]
“Font/Typeface Terms Survey Results” by T. Phinney [+]
“Fonts” by J. Kottke [+]
“For Electronic Types,a Mark of Distinction” by A. Rawsthorn [+]
“Forma by DJR Broadcasts the NWS” by Y. Peters [+]
“Free Fonts Are a Myth” by J. Felici [+]
“Free Fonts Manifesto” by E. Lupton [+][+]
“Frutiger Talk” by M. Simonson [+][+]
“Graphic Drawing Pens Review” by J. Scruggs [+]
“Haas Unica; a Legendary Redesign of Helvetica,Reborn After 30 Years” by K. Vanhemert [+][+]
“How Does One Assess the Mood of a Typeface” [+]
“How To Choose the Right Face for a Beautiful Body” by D. Reynolds [+]
“Inclined To Be Dull (on Helvetica)” by M. Majoor [+]
“Internet :-) :-( Smilings or Emoticons” by A. Harmon [+][+]
“John Baskerville and the Beauty of Letters” by HWM [+]
“Ken Barber Interview” by T. Wilkins [+]
“Letterboxes” by J. Mickel [+][+]
“Library of Type Specimens” by R. Herrmann [+]
“Memories of Adrian Frutiger” by M. Comte [+][+]
“Mistakes in Typography Grate the Purists” by A. Rawsthorn [+]
“MoMA Acquires Digital Typefaces; What Does That Mean?” by J. Kottke [+]
“Modern Suite: Figgins and Scoth Roman” by N. Shinn [+][+]
“Our Favorite Fonts” [+]
“Periodic Table of Typefaces” by C. Wilde [+][+]
“Rare Type Specimens” by R. Herrmann [+]
“Reasons to Choose a Particular Typeface For a Project” by M. Bierut [+]
“Recasting Electra as Aluminia” by J. Parkinson [+]
“Roboto UI Google Material Design” review by S. Coles [+][+]
“Selecting Typefaces for Body Text” by T. Brown [+]
“Sweden Typeface” by S. Hattenbach (Söderhavet) [+][+]
“TDC Top 100 Typefaces” by P. Shaw [+]
“TYPO London 2012 Sketchnotes” by E.-L. Lamm [+]
“The Boldest Font” thread [+]
“The Definitive Guide to Free Fonts” by J. Shoaf [+]
“The Design Process of by Ruzicka by J. Ragan [+]
“The Design of Helvetica Greek For Photocomposition” by H. Lekka [+]
“The Logos of Web 2.0” by S. Coles [+]
“The Scourge of Arial” by M. Simonson [+]
“Times New Roman Is Not the Enemy” by B. Dawson [+]
“Tips for Choosing the Best Webfonts” by J. Cranford [+]
“Type Census,Type Foundries Today” by S. Coles [+]
“Type Navigator” by J. Middendorp and TwoPoints.net [+][+]
“Type as Texture” by J. Davis [+]
“Typefaces For Corporate Design” by Smashing Editorial [+]
“Typefaces No One Gets Fired for Using” by C. Moll [+]
“Typefaces Used by Book Design Winners” by S. Coles [+]
“TypoMag” by L. Meseguer [+]
“Weapons of Mass Seduction and Reduction” by M. Giesser [+]
“What Is Your Inspiration” by K. Sowersby [+]
Glossary
10 Typographical Rules [+]
Artic Paper [+]
Betutan [+]
Bibliopolis Glossary [+]
DTP Typometer – ; ; ; ; ; [+][+][+][+][+]
Foamtrain [+]
FontShop Typeface Anatomy Glossary [+]
Glossary by de Bartolo and Spiekermann [+]
Graphion [+]
Lexicon Wikipédia Summary [+]
Lingsoft [+]
Linotype Font Glossary [+]
Metric Typographic Units [+][+][+]
Mimi Glossaries [+]
Packaging Gateway Glossary [+]
ParaType [+]
RSUB [+]
Redsun by K. Woodward [+]
SIL Scripts Glossary [+]
Sappi Prepress [+]
Terminologia Tipográfica [+]
The Jargon Words [+]
Type Anatomy by Boms and Hutchinson [+]
Type Anatomy by Pecina and Březina [+]
Type Measurement [+]
Typographic Design Glossary by Carter and Meggs [+]
Typography Deconstructed [+]
Typolexikon [+]
Typowiki Terminology [+]
WGA ART Glossary [+]
Wikimedia <Typography> [+]
[return to page] [+]
iPhone Typography Manual [+]
“A Typographic Anatomy Lesson” by Boms and Hutchinson [+][+]
“Inconspicuous Vertical Metrics” by A. Julien [+]
“Printing Primer DTP Glossary” by H. Budgett [+][+]
“eXtreme Type Terminology” by P. Dean [+]
Hinting
AAT Font Quality Specification [+]
DirectWrite For Text Rendering [+]
Hinting at MyFonts [+]
Hinting at Typowiki [+]
TrueType Hinting by Microsoft [+]
“Autohinting in FontLab Studio” by A. Twardoch [+]
“Basic Hinting Philosophies and TrueType Instructions” by V. Connare [+]
“Breaking the Physical Limits of Fonts” by D. Weiler [+]
“CorelDraw-FontLab Problem” [+]
“Different Kinds of Hinting” by P. Biľak [+][+]
“Font Hinting and the Future of Responsive Typography” by N. Sherman [+][+]
“Font Rendering” by M. Duggan [+]
“Hinting TT OpenType Fonts” [+]
“Hinting and Metrics Problem” [+]
“Hinting and the Printing” [+]
“Hinting in FontLab and Fontographer” by N. Fabian [+]
“Hints,Good or Bad” [+]
“How To Make TrueType Hints Less Boring” by F. Grießhammer [+]
“It’s Not Just Fonts” by B. Hill [+]
“Lo-Res Design History” by Z. Licko [+]
“Monospacing: Pitch Design Information” by K. Sowersby [+]
“Of Hinting and Tables” by B. Maag [+]
“Software Developer,the Pleasant Monospace” [+]
“Source Code Pro Adobe Open Source Monospaced” by P. Hunt: [+]
“The Raster Tragedy at Low Resolution” by B. Stamm [+][+][+]
“To Autohint,or NOT to Autohint” [+]
“TrueType Hinting and Font Rendering” by T. Rickner [+]
“TrueType Hinting at ParaType” by E. Yakupov [+]
“TrueType Hinting” by T. Penney [+]
“When Is the Better Time to Hint” [+]
History
20th Century Type Designers [+]
A2-TYPE Typewriter [+]
ABC [+]
Alexander Verberne [+]
Animated GIFs Illustrating the Art of Japanese Wood Joinery” [+]
Antique Tuscan Serif Style [+][+][+]
Arabic Typography [+]
BBC 1971 Digital Composition Room [+]
Basque (Euskara) by T. Arsaut [+]
Berlin Letterpress Workshop [+]
Berlin Museum of Letters [+]
Briar Press Letterpress Community [+]
Cabaret Typographie Workshop [+]
Codex 99 Archive [+]
Counterspace [+]
Doug Wilson [+]
Dutch Government Corporate Typeface [+][+]
Edu-chart by E. Bloemsma [+]
FF Trixie Typewriter Font [+]
Gutenberg Johannes [+][+][+][+]
Hamilton Wood Type Museum [+]
Historic Typefaces by Walden Font Co. [+]
Historical Type and Lettering Pool [+]
History of Devanagari Letterform Design in India [+]
History of Western Typography [+]
IBM Composer Pavilion (DTP Before the Computer) [+]
Incunabula,Dawn of Western Printing [+]
Istitut d’Histoire du Livre [+]
James Mosley’s Typefoundry [+]
KTF Pitch Typewriter Font [+]
Letterform Archive [+]
Letterpress by G. Bignell [+]
Linotype Typography Manual [+]
Macro-Typography by J.B. Piggin [+][+]
Matthew Carter Explains How He Came to Design His First Wood Type [+]
Morris Online Edition [+]
Movable Type [+]
Overviews of Printing Types by D. Rose [+]
Printing & Typesetting History [+][+]
Rencontres Internationales de Lure [+]
Scans From Bodoni’s Books [+]
Sereno Editore [+]
The Cary Graphic Arts Collection [+]
The Joy of Letraset [+]
The Typewriter Database [+][+][+]
Type Design 1470—1840 [+]
Type Foundries Timeline [+]
Typography Museums & Library Directory [+]
Typography at Wikipedia [+]
WNY Book Arts Center Letterpress [+]
William Caxton [+]
Woodtyper [+]
Woodward’s Redsun Resources [+]
Woody Allen’s Typography [+]
Zaner-Bloser Handwriting Samples [+]
“ Back Issues to be Made Available” by A. Haley [+]
“A Constructed Roman Alphabet” by J. Hughes [+]
“Adventures in Kerning” by J. Hoefler [+]
“An Alphabet of History (1905)” by Nesbit and Young [+][+]
“An Alphabet of Organic Type (ca.1650)” J.C. Bierpfaff [+]
“Ands & Ampersand” by R. Czapkowski [+]
“Are Serif Faces Dying” thread [+]
“Assembling the Billing Block (Movie Posters)” by B. Schott [+]
“Beyond Typographic Hierarchy and Into the Art of Typography” by D. Whitbread [+]
“Bodoni,Manuale Tipografico (1818)” by Taschen [+][+][+]
“Bringhurst Surveys Zapf’s Palatino Tribe” by S. Heller [+]
“Cursive Writing Is Fading Skill,But so What?” by T. Breen [+]
“De Evangelica Praeparatione: Nicholas Jenson and the Humanist Letter” @Codex99 [+]
“Don’t Know Much About (Type) History” by K.T. Meaney [+]
“Dutch Type” by J. Middendorp [+]
“Egenolff-Benrer vs. Stempel Garamond” [+]
“Elzevir Letter” by J. Mosley [+]
“Eric Gill: Can We Separate the Artist From the Abuser?” by R. Cooke [+]
“Eric Gill’s R: the Italian Connection” by J. Mosley [+][+]
“Evolution of the Ampersand (Esperluette)” by E. Rigaud [+]
“Face the Nation: National Identity and Modern Type Design 1900-1960” by C. Eliason [+]
“Face the Nation” (Type Design and National Identity) curated by C. Eliason [+]
“Forgotten Toronto History” by K. Daubs [+]
“Garamond or Garamont?” by J. Mosley [+][+]
“Giambattista Bodoni: Biografia” by A. Segalini [+]
“Good Book on the History of Typography” [+]
“Great British Printers” by C. Archer [+]
“Great British Type Designers Stamps Concept” by D. Scott [+]
“Grotesque: The Birth of The Modern Sans Serif in The Types of The Nineteenth Century” by S. Soskolne [+]
“Gutenberg and The Social Media Revolution” by R. Stacy [+]
“History of Canadian Type Design” by N. Fabian [+]
“History of History” by P. Biľak [+]
“History of Type” by L. Devroye [+]
“Hot Metal” by L. Kaehler [+]
“How Hand Compositors Justified Lines” by P. Luna [+]
“Il Carattere da Stampa e sua Evoluzione Stilistico-Progettuale” by A. Marconi [+]
“In Dreams (About Collecting and Wonder)” Design Observer Podcast,by Bierut and Helfand [+]
“Introduction to Letterpress Printing” by D. Rose [+]
“Is It Possible to Determine What Typeface of the 1990s Will Become a Classic?” by F. Smeijers [+]
“Jan Tschichold: ” by R. Hollis [+]
“Joos Lambrecht Letters” by P. van Lancker [+][+]
“KernStepper” by L. Schneider [+][+]
“Kurrent—500 Years of German Handwriting” by R. Herrmann [+]
“L.A. Graffiti On Screen and In Print” by I. Lynam [+]
“La stampa è mobile… qual piuma al vento?” by G. Coraglia [+]
“Lecture on History of Printed Letters” by Lupton and Faden [+]
“Lecture on History of the Alphabet” by J. Ross [+]
“Legacy of Letters” by P. Shaw [+]
“Let Them Eat Comic Sans: Typographic Aristocracy and Democratization” by N. Sherman [+][+]
“Letterpress” by A. Fewster [+]
“Letters Lost,A Didactic Elegy (Greek,Phoenician and Roman Developments)“ by S. Stone [+]
“Letters and Bars” by R. Espinoza [+]
“Little Book of Letterpress” by C. Rivers [+]
“Lost Typeface Found In River Thames” by N. Wilmshurst [+][+][+][+]
“Mechanicals for American Wood Type: 1828-1900” by B. Kiel [+]
“Mike Parker’s Story of Type: Gutenberg” by M. Parker [+]
“New From Old: the Why and How of Reviving a Typeface” by T. Omagari [+]
“Old English,a Query” by J. Mosley [+]
“Online Sources of High-Resolution Scans of Old Type Specimen That Can Be Used for Revivals” [+]
“Pecha Kucha on Type” by M. Meilleur [+][+]
“Phaestos Disk. The First Moveable Type?” by Parachute [+]
“Phototypesetting with the Berthold Diatype” by R. Herrmann [+]
“Preserving Ancient Wisdom with Age-Old Printing Techniques” by J.D. Berry [+]
“Print Culture 101: A Cheat Sheet and Syllabus” by C.W. Anderson [+]
“Printers Guide to Europe” by C. Archer [+]
“Proto-neoclassical Roman” by J. Hudson [+]
“Rare Type Specimens” by R. Herrmann [+]
“Reviving Caslon,Pt.1 and Pt.2” by W. Berkson [+]
“Rub-down (Letraset) Revolution” by J. Lamacraft [+][+]
“San Serriffe” by B. Sans [+][+][+][+]
“Scotch Roman” by J. Mosley [+]
“Shift Happens” by M. Wichary [+][+][+][+]
“Stealing Sheep” by J. Santa Maria [+]
“Tallone Fonts” by E. Tallone [+]
“Tangible Typography” by B. Whited [+]
“Teaching Typography” [+]
“The (Nuremberg Chronicles) 1493” by A. Koberger [+]
“The Ampersand (&)” by M. Caflisch [+][+][+][+][+][+][+][+]
“The Ampersand” by K. Houston [+][+][+]
“The Art and Tradition of Typography” by G. Hitchcock [+][+]
“The Art of Founding Type” by J. Downer [+]
“The Art of Wood Type” by G. Ruffa [+]
“The Birth of a Wood Type” by S. Heller [+]
“The Chinese Typewriter” by T. Mullaney [+][+][+]
“The Complete Engraver” by N.S. Collins [+][+]
“The Differences Between a Grotesk and a Neo Grotesk Typeface” thread [+]
“The Dying Typographic Art of Cutting Letters into Steel” by C. Dunne [+][+]
“The Evolution of Type” by M. Brandt [+]
“The Feeling of Typography: from Letterpress Type to Touchscreen” by R. Levien [+]
“The Fell Types” by I. Marini [+]
“The First Roman Fonts” by J. Boardley [+]
“The Gutenberg Press” by S. Fry [+]
“The Hypnerotomachia Poliphili” by F. Colonna and A. Manutius [+]
“The Legacy of the Typewriting Machine in Type Design” by M. Ramos [+]
“The Materials of Typefounding” by J. Mosley [+]
“The Meanings of Type” by S. Heller [+]
“The Mosley Effect” by B. Richardson [+]
“The Origin of the Sans Serif and Helvetica’s Plagiarism” by M. Majoor [+]
“The Origin of the Term ” by I. Strizver [+]
“The Relationship Between Calligraphy and Typography in the Roman Tradition” by E. Clayton [+]
“The True Story of Helvetica and the New York City Subway” by P. Shaw [+][+]
“The Typographic Modern” by R. Giampietro [+]
“The Work of Engraver Michael Renton” by R. Steven [+]
“Times New Roman History” by M. Parker [+][+]
“To Write Without a Pen” by A. Byrom [+]
“Type History” by J.F. Porchez [+]
“Type as Shape”,by A. Kator [+]
“Typewriters in Catalonia” by M. Wichary [+]
“When Wood Trumped Metal: by S. Heller [+]
“Women On Keyboard: When the Lead Is Tinged With Pink” by G. Coraglia [+]
Information Design
Dedicated Linkography [+]
Kinetic Type
Emotional Fractal by Levitated [+]
Graffiti Analysis by E. Roth [+]
Heterosis by B. Banton [+]
How Skywriting Works (1935 aerial Chevrolet advertisement) [+]
LT (by H. von Döhren) Short Film by J. Barnbrook: [+]
Saul Bass and Harold Adler,at: [+][+][+][+][+][+][+][+]
Serial Cut [+]
TYP3D [+]
Title Sequences Interviews by Thunder Chunky [+]
Typogami and Moshun by Calango [+][+]
“A Lesson on Typography” by the Vancouver Film School [+][+]
“Antroiama 1949” by Aubry and Broquard [+]
“Arkitypo Letter Rotations” by J. Banks [+][+][+]
“Chalkbot,Type On the Road” by DeepLocal and StandardRobot [+]
“Devil's Advocate” Al Pacino's Speech [+]
“Fast Company” by S. Page [+]
“Flickermood 2.0” by S. Lange [+][+]
“Graffiti Markup Language (GML)” by E. Roth [+][+]
“Is That A Fish In Your Ear?” by M. Young [+]
“Kinetic Typography” by J. Lee [+]
“Letter Paper Sculptures” by B. Chang [+]
“Offf 2013 Cincinnati Opening Titles” by O. Senturk [+]
“Palindrome” by Troika for V&A: [+][+][+]
“Sabah-NYT Turkish Edition” by Q. Michalski [+][+]
“Stephen Fry’s ‘’” by M. Rogers: [+][+][+]
“The Alphabet” by A. Novelli [+]
“The Big Lebowski Speech” by K. Dekker [+]
“Three Things About Islam” by The White Roses [+]
“Type that Moves (you)” by J. Cruz [+]
“Typographic Trees” by G. Young [+]
“Typography in Exploding-fluid Form” by H. Almossawi [+]
“Wood Type” by Txaber [+]
“iQ Font: ” by Pleaseletmedesign [+]
Legibility
AdeLE Eye Tracking Prototype [+]
Adobe “Taking It In” [+]
Alphabetic Letter Similarity Matrices [+]
Clearview Highway Typeface [+][+][+][+][+]
Design To Read Resources [+]
Eye Movement References [+]
Flesch Readability Index [+]
Gaze Movement and Focal Points [+]
Graffiti Comic Strip by P. Selby,; [+][+]
Legibility vs. Readability [+]
Luciole by CTRDV [+]
Max Kerning [+]
Progetto-EXP [+]
Rate of Reading Test [+]
Read Regular [+]
Reading Online Text [+]
Retina Typeface Specimen [+][+][+][+]
Science of Word Recognition [+]
Spritz (Reading Reimagined) [+][+]
The Neural Basis of Reading [+]
Type-Syntactic () by J.B. Piggin [+][+]
Typography for Children [+]
Why People Don’t Read Online [+]
“A Rant on Typography and Spacing” by B. Gardner [+]
“A Typeface For Reading” by R. Waller [+]
“ADD and Words per Line (Design for Attention)” by L. Powell [+]
“An Essay Towards a New Theory of Vision” by G. Berkeley [+]
“Avería,The Average Font” by D. Sayers [+]
“Balancing Typeface Legibility and Economy” by V. Gaultney [+][+]
“British Motorway Signage System” by Kinneir and Calvert [+][+]
“Busting The Dyslexia Myth” by Nicotra & Maag at ATypI São Paulo [+]
“Character Spacing as Defining Factor for Legibility” by D. Pelli et al. [+]
“Deconstruction” by Lupton and Miller [+]
“Designing Effective Medicine Labels for Hong Kong Citizens” by Kwok and Tam [+]
“Designing the Ultimate Wayfinding Typeface” by R. Herrmann [+][+][+]
“Do Readers of Chinese Get Dyslexia in the Same Way English Reading People Do?” [+]
“Does a Large x-Height Make Fonts More Legible?” by R. Herrmann [+][+]
“Does a Large x-height Make Fonts More Legible?” by R. Herrmann [+]
“Easy to Read,Easy to Do” by Song and Schwarz [+][+]
“Emotion and Attention in Cortical Responses to Written Words” by Bayer et al. [+][+]
“Eye Tracking (Gaze Paths) Are Strongly Influenced By Given Instructions” by S. Weinschenk [+]
“Features for Identification of Uppercase and Lowercase Letters” by D. Fiset [+]
“Fonts and Authority Perception” [+]
“Georgia Pro and Verdana Pro” by M. Carter [+][+][+]
“Good Legibility Tests For Typefaces” [+]
“Grover” by S. Castle [+]
“Guidelines for the Label and Package Leaflet of Medicinal Products for Human Use” [+]
“How Much the Eye Tells the Brain” at E. Tufte [+][+]
“How To Train Yourself To Speed Read” by C. Dobrin [+]
“How Typefaces Influence the Way We Read and Think” by C. Gayomali [+]
“How to Measure Typographic Accessibility” by S. de Rozario [+]
“Hygiene of Reading” by E. Lupton [+]
“If it’s Hard to Read,it’s Hard to Do” by Song and Schwarz [+]
“Impaired Visibility Typeface Test Report” by S. Egger [+]
“It’s All Down to How Fast You React” by J. Petre [+]
“Kevin Larson On the 2013 Morris Experiment” by S. Coles [+]
“Large vs. Small Type Sizes” [+]
“Legibility in Typeface Design for Screen Interfaces” by J. Neumeier [+]
“Letter Case and Text Legibility in Normal and Low Vision” by Arditi and Cho [+]
“Letter Misrecognition for General,Children,Dyslexic,Visually Impaired and Ageing Readers” by T. Bohm [+]
“On Dowding’s ” [+]
“On Reading With a Theme” by M. Brown,; [+][+]
“On the Typography of Flight-Deck Documentation” by A. Degani (1992) [+]
“Optotypes,Eye Charts in Focus” by Frear and Hoefler [+]
“Perception of Fonts: ” by Shaikh et al. [+]
“Physiology of Reading ()” by T. Huot-Marchand [+]
“Reading and Driving” by V. Hanlon [+]
“Scientific Reasons People Are Wired To Respond To Visual Marketing” by A. Tate [+]
“Seeing vs. Reading” by R. Ammer [+]
“Stat Type Family Development” by J. Kožuh [+][+]
“Text Treatment and the User Interface” by T. Komischke [+]
“The Aesthetic of Reading” by Larson and Picard [+]
“The Effects of Onscreen Typeface Personality” by R. Hazlett [+]
“The Evolution of the Human Eye” by S.D. Pitman [+][+]
“The Magic of Reading” by B. Hill [+][+][+]
“The Psychology and Pedagogy of Reading” by E.B. Huey (1908) [+]
“The Science (and Feeling) Behind Fonts” by M. Cho [+][+]
“The Visual Nuclei Hypothesis” [+][+][+][+]
“Type Design for Children with Low Vision” by R. Hermann [+]
“Typeface Legibility: Towards defining familiarity (PhD)” by S. Beier [+][+]
“Typeface for a School Book” [+]
“Voters Annoyed by Hard-to-Read Ballots” by M. Grynbaum [+]
“What Font Saves the Most Ink” thread [+]
“What Is the Most Important OS” by B. Hill [+][+]
“What Makes Some Fonts More Readable Than Others” [+]
Newspaper
About Greta by P. Biľak [+][+]
About Gulliver by G. Unger [+]
About Swift by G. Unger [+][+][+][+]
Award-Winning Newspaper Designs 2007 [+][+]
Award-Winning Newspaper Designs 2008 [+][+][+][+]
Collection of Chinese Masthead Clip-Art [+]
D&D Awards 2009 [+]
Garcia Media [+]
Guardian Collection by Barnes and Schwarts [+][+]
Historical Newspapers [+]
Mark Porter [+]
New York Times Magazine [+]
News Designer [+]
Newspaper Design Day 2006 (St Bride) [+]
Newspaper Fonts,,,; [+][+][+][+]
Paper.li Create Your Newspaper [+]
Phone Book Typography [+]
Portland Press Herald “Sitting Pretty” by W. Watson [+]
Poynter Online on Journalism [+]
Redesigning the Pennsylvania Indipendent College Newspaper [+]
Roger Black [+]
Ron Reason [+]
SF Chronicle Redesign [+][+][+]
SND Society for News Design [+][+]
SPD Society of Publication Designers [+]
Spectra Visual Newsreader [+]
Sydsvenskan [+]
Tablet Publishing to Welcome Newspaper [+][+]
The Boston Globe’s Brand Integration Across Media [+]
The British Library Newspapers Catalogue [+]
Walter Tracy [+]
“Best of Newspaper Design” by The Society for News Design [+]
“Elements of Typography” by A.V. Wagener [+][+]
“FF Dagny,Evolution of a Newspaper Type Font” by M.R. García [+]
“Fonts on the Front Pages” by Ascender Corp. [+][+]
“Gerard Unger Brings Atmosphere to the Front Page News” by J.L. Walters [+]
“Il Re Designer Quotidiano” and ”IL” by F. Franchi [+][+][+]
“Irritating Readers For Fun and Profit” by Brass Tacks Design [+]
“Make a Book From Newspaper Front Pages” by J. Mickel [+]
“News on Paper in the Digital Age” by J.D. Berry [+]
“Newspaper Font Size” [+]
“Newspaper Website Trends and Examples” by S. Snell [+]
“Newspapers Told to Shift Gears or Be Stuck in the Mud” by M. Abu-Fadil [+]
“Printing The NYT and Kindle” by N. Carlson [+][+]
“Rare Newspapers” by T. Huges [+][+]
“Reading Paths on Newspaper Spreads” by Holsanova et al. [+]
“The Typography of News” by P. Hall [+]
“White; ISOnewspaper26v4” by M. Kramer [+]
“Workflow for Newspapers” by M. Picasso [+]
Paleography
Allan Haley’s ABC Psychogenesis [+]
Bi-directional Text [+]
Chinese and Japanse Calligraphy Styles [+]
Cuneiform Mesopotamia Glossary by R. Hooker [+]
Dedicated Linkography [+]
Egyptian Hieroglyphs [+]
Etruscan Alphabet [+]
Evolution of Latin Alphabet [+]
Exercises in Latin Paleography [+]
Handout on ABC Evolution [+]
History of Chinese Calligraphy [+]
History of Devanagari Letterform Design in India [+]
History of the Arabic Alphabet [+]
Kanji [+]
Nazca Geoglyphs [+]
Origins of Hebrew Writing [+]
Palaeography Online Tutorial [+]
Paléographie Latine [+]
Sanskrit Trasncriptions [+][+][+]
Tabula Gladiatoria in Itálica [+]
The Development of the Western Alphabet [+]
Types of Writing Systems [+]
Writing Systems Omniglot Resources [+]
“,the Greek Alphabet” @Codex99 [+]
“About the History of Writing” by MVK-CMK [+]
“Alphabet Evolution” by G. Boeree,,; [+][+][+]
“Before the Printing Press”,Cary GAC [+]
“Carbon Dating Reveals Earliest Origins of Zero Symbol” by Oxford [+]
“Communication Through Writing” by L. Kaehler [+]
“History of Writing and Calligraphy” [+]
“History of the Alphabets” by R. Fradkin [+][+]
“History of the Alphabet” by Khan Lab [+][+]
“Krazy About K” by P. Patton [+]
“La Ghenizah Italiana” by M. Perani [+]
“Lecture on History of the Alphabet” by J. Ross [+]
“Mysterious Stones Mark the Site of the Garden of Eden” by T. Cox [+]
“New Written Language of Ancient Scotland” by J. Viegas [+]
“Old Babylonian,” by O. Nabeel [+]
“Palaeography” Definition [+]
“Paleography of Punctuation” by S. Reimer [+]
“Scripts and Formal Bookhands Course” by M. Twycross [+]
“The Alphabets Chart” by imjnet.org.il [+]
“The Evolution of Writing” by D. Allen,illustration by H.-E. Meier [+]
“The Hangul Alphabet of Korea” by J. Han [+]
“The Print Clock: A Method for Dating Early Books and Prints” by S.B. Hedges [+]
“Toilet Papyrus: A Papyrus of Homer Used as Toilet Paper“ by B.C. Jones [+]
“Type Ramblings from Afrika” by S. Mafundikwa [+]
Publications
26 Articles for Typography Lovers [+]
AA Files [+]
ADF (Anti Design Festival) Manifesto [+]
Adgoodness [+]
Allworth Press [+]
Answers to AIGA’s Ultimate Typography Quiz [+]
Are.na channel by J. Anderson [+]
Artnet [+]
Avant Garde by Herb Lubalin [+]
Balla Dora Typo-Grafika [+]
Baseline [+]
But Does It Float [+]
Codex [+]
Counter-Print: art and design related material [+]
Creative Review [+]
Dada Journal [+]
Design Observer: [+]
Designchat Typography [+]
Dirk Knemeyer [+]
Discretionary Ligatures [+]
Ellen Lupton’s [+]
Encore [+]
Ergonaut: [+]
FGD1 The Archive [+]
Ffffound! [+]
Fine Typography by Monotype [+]
Focal Press [+]
Font Bureau David Berlow’s Type Specimens [+]
FontShop Newsletter Archive [+]
Friends of Type [+]
Good Fucking Design Advice [+]
Hyphen Press [+]
Ibiblio Famous Artworks Exhibition [+]
Images & Text Experiment [+]
It’s Nice That [+]
John D. Barry’s [+]
Johnson Banks [+]
La Police Footnotes [+]
Logobook [+]
Lyrics and Type [+]
Manystuff [+]
Mark Batty Publisher [+]
Maurice Meilleur [+]
Max Bruinsma’s at Eye [+]
Michael Bierut’s [+]
Monoscope [+]
Mr. Typo [+]
Multi,The RIT Journal [+]
Nice Web Type [+]
Nijhof & Lee [+]
P-DPA Post-digital Publishing Archive [+]
Pingmag [+]
Pingmag [+]
Princeton Architectural Press [+]
RBtL () [+]
ReType [+]
Rob Giampietro’s [+]
Rob Waller’s [+]
SPD Society of Publication Designers [+]
Sage Journals [+]
Scroll Magazine [+]
Seeking Inspiration Conference [+]
Show Us Your Type (Type and Cities) [+]
Spatium [+]
Steven Heller [+]
TEAL by J. Deck [+]
TYPE Magazine [+]
TYPO Talks [+]
Text Wrap [+]
The Daily Heller [+]
The Little Bookroom [+]
The Magazine [+]
The Serif Publishing [+]
The Week In Type by ILT [+]
Tipográfica [+]
Titus Nemeth’s [+]
Type For Now Handlettering [+]
Typo [+]
Typographic Verses From the Bible [+]
Typographische Monatsblätter [+]
Typoster [+]
Typotheque [+]
Typowiki Books [+]
U&lc Searchable PDFs [+]
Vintage Graphics [+]
WGA ART Database [+]
Winterhouse Editions [+]
Works That Work [+]
“Design Will Save the World (poster)” by E. Spekermann [+]
“The Science Bookstore” by J. Ptak [+]
“You Designed a New Typeface,Now How Do You Sell It?” by Atipo [+]
Screen Web Typography
247 Web Usability Guidelines [+]
Adobe Partners With Typekit [+][+]
Aloha Editor [+]
Apple San Francisco Fonts [+][+][+][+]
CSS Font Stacks Roundup [+]
ClearType,,,,,; [+][+][+][+][+][+]
FitText Web Plugin [+]
Flash Player v.10 Text Engine [+]
Font-To-Width Script [+]
Fonts.com Web Fonts Tutorial [+]
Fontshop on Web Fonts [+][+][+]
Fontstand [+]
Fount Javascript Webfont Identifier (online) [+]
Hot To Improve Web Typography [+]
Java 2 Platform SE 5.0 Class Font [+]
Jeffrey Zeldman Web Design Manifesto [+]
MS Nina,Verdana and Tahoma Compared [+][+]
Monotype Spark Bitmap Solution [+]
Mozilla Open Source Font [+]
Punctuator RSS Feeds and Punctuation Marks by K. Çanlıoğlu [+]
Responsive Measure jQuery Plugin for Responsive Typography [+]
Responsive Typography Demo [+]
SASS Syntactically Awesome Stylesheet [+]
ScreenSmart H&FJ Webfonts [+]
Scroll Magazine [+]
Stacey Lightweight Content Management System [+]
Syntax for OpenType Features in CSS (liga,smcp,onum,etc.) [+]
The State of Web Type [+]
Tool for Web Browsers [+][+][+]
Typecast for Monotype Imagine [+][+][+]
Typeplate Web Typography Starter [+]
Typography Is Impossible” by M. Wichary [+]
Typotheque Web Font Service [+][+]
Ubunto Font Family and Website Guidelines [+][+]
W3C Specification: [+]
WOFF by WebFonts Working Group [+][+]
Web 2.0 Style Guide [+]
Web Fonts Awards [+]
Webfont Service Providers [+]
Webfontday Conferences by TGM [+]
Webtype (“”: a group of fonts for small sizes on screen) [+][+]
Webydo Code-free Website Design [+]
Writer for iPad [+]
“.webfont Proposal by Leming and van Blokland,; [+][+][+][+][+]
“@font-face Observer” by B. Stein [+]
“A Look Into Better Typography for Modern Websites” by J. Rocheleau [+]
“A New Decisive Step Towards More Typographic Diversity on the Web” by Y. Peters [+]
“A Short History of Body Copy Sizes on the Web” by F. Verschelde [+]
“About Those Vector Icons” by K. Grouchnikov @kirillcool: [+]
“An Overview of Web Font Services” by S. Egger [+]
“Apps For All: Coding Accessible Web Applications” by H. Pickering [+]
“Art Direction and Design” by D. Mall [+]
“BBC World Service Language Websites: User Experience and Typography” by K. Çanlıoğlu [+]
“Baseline Framework” by ProjectUrbain [+]
“Better Justified Web Text” thread [+]
“Bibliotype,Longform Base Typography for Tablets” by Craig Mod [+]
“Books That Are Never Done Being Written” by N. Carr [+]
“Bringing Responsiveness to Apps” by O. Reichenstein [+]
“CSS Font-Feature-Settings OpenType Demo” by R. Rutter [+]
“Characteristics of Type on the Web (WSG3)” by Lynch and Horton [+]
“Chester Jenkins on Webfonts” interview with Eye Magazine [+][+]
“Controlling Web Typography” by T. Walton [+]
“DPI for Dummies: Images on Mobile Devices”,by C. Cohen [+]
“Design for a Target Experience First” by N. Ford [+]
“Digital Is Not an Excuse for Bad Typography” by R. Fink [+]
“E-Reading Rises as Device Ownership Jumps” by Zickuhr and Rainie [+]
“Enhancements to Georgia and Verdana Typeface Families” by B. Davis [+]
“Flexible Typesetting” by T. Brown [+]
“Font Metrics and Vertical Space in CSS” by T. Brown [+]
“Fuck the Foundries” by M. Pilgrim [+]
“Georgia Pro and Verdana Pro” by M. Carter [+]
“Golden Age of Type Blogs” at Eye [+]
“Guide To Web Typography” by J. Boardley (iLT) [+]
“Hand Drawn Icons” by V. Carrer [+][+]
“Harboiled Web Design” by A. Clarke [+]
“How Google Designed an E-Book Font For Any Screen: ” by Google & TypeTogether [+][+]
“How People with Disabilities Use the Web” by W3C [+]
“Hypenation Arrives in Firefox and Safari” by Fontdeck [+]
“Hyphenator.js” by Google [+]
“Hypher” by B. Stein [+]
“In Defense of Readers” by M. Brown [+][+]
“Information Design Is Typography (Web Design Is 95% Typography)” by O. Reichenstein [+]
“Inspirational Typography in Web Design” at Pattern Tap [+]
“Introduction to The Web Standards Curriculum” by C. Mills [+]
“Layout” at [+]
“Live Font Interpolation on the (Responsive) Web” by A. Johnson [+]
“Material Honesty on the Web” by K. Goldman [+]
“Molten Leading (or,Fluid Line-Height),by T. Brown [+][+]
“More Meaningful Typography” by T. Brown [+]
“Moving From Print To Screen” by J. Clark [+][+]
“Nice Web Type” by T. Brown [+][+][+]
“O-rule + Golden Proportion fpr Calculating the Gurre in the Grid” by v. Carrer [+]
“On Web Typography’ by J. Santa Maria [+]
“Panel Discussion About the Design of E-Books” with P. van Blokland [+]
“Perspective in Icon Design” by V. Tran [+]
“Pixel Proliferation Toolset” by Punchcut [+]
“Pixel-fitting” by D. Curtis [+]
“Print and Web Typography in Design Education” by by A. Papaelias [+][+]
“Readable Web” by R. Fink [+]
“Redesign: Scales and Hierarchy” by F. Chimero [+]
“Responsive Typography is a Physical Discipline […]” by N. Sherman [+]
“Revised Web Fonts Proposal” [+]
“Robin Nicholas,Creator of Arial,Comments on Web Fonts” by P. Serrão [+]
“Screen Fonts: An Abbr. Hist.” by D. Berlow [+]
“Setting Type for (UI) User Interfaces” by B. Whited [+]
“Setting Type on the Web to a Baseline Grid” by W. Miner [+]
“Stricking Web Sites With Font Stacks That Inspire” by V. Vivian [+]
“TeX Line Breaking Algorithm in JavaScript” by B. Stein [+]
“The Best Online Reading Experience” by S.D. Quinn [+]
“The Changing Typography of the Web” D. Netburn [+]
“The Different Faces of Type ” by K. Lueke [+]
“The Elements of Typographic Style Applied to the Web” by R. Rutter [+]
“The Essential Guide to @font-face” by J. Johnson [+]
“The Fiske Reading Machine,the 1922 ‘Kindle’” @incunabola [+]
“The Hazy Future of Web Typography” by C. Foresman [+]
“The Typography-out Approach In the World of Browser-based Web Design” by E.J. Stocks [+]
“The Ultimate Usability Resource Roundup Posts” by J. Creech [+]
“The Web Leaders Hate Typography (But Not For Long)” by S. Godin [+]
“The Web’s Grain” by F. Chimero [+][+]
“The iPad's Screen Under the Microscope” by L. Mathis [+]
“Thoughts on Web Licensing” [+]
“Tim Brown on More Perfect Typography” by Y. Peters [+][+]
“Type Rendering: Font Outlines and File Formats” by T. brown [+]
“Type Rendering: Review,and Fonts That Render Well” by T. Brown [+]
“Type Study: An Example of Lettering.js” by T. Walton [+]
“Typewolf Webtype Examples” by J. Shoaf [+][+]
“Typographica Redesign” by T. Brown [+]
“Typography Is Important” by V. Vasinov [+]
“Typography On the Web” [+]
“Unbound [eBook] Pages” by J.D. Berry [+][+]
“Unreadable” by J. Clark [+][+]
“Using System UI Fonts In Web Design: A Quick Practical Guide’ by M. Wichary [+]
“Web Fonts At TypeCon 09/10” [+][+][+][+]
“Web Fonts” by D. Berlow [+]
“Web Style Guide” by Lynch and Horton [+]
“Web Typography Sucks” by Rutter and Boulton [+]
“Webfonts Support” by L. de Groot [+]
“What Led to the Popularity of Proxima Nova by Mark Simonson” [+]
“What Makes Someone Leave a Website?” by J. Brockmeier [+]
“What if Testing Was a Part of the Design” by S. Ruluks [+][+]
“Windows Vista Fonts Compared to Typical Web Fonts” C. Montoya [+]
“Wordlings in a Web 2.0 World” by C. Lee [+]
“Working with Typography” by S. Howe [+]
“Writing Style for Print vs. Web” by J. Nielsen [+]
“iPad Apps for Typography Fans” by M. Garcia [+]
“iPad Blows Kindle Out of the Water” by B. Hill [+][+]
“iPad: Kids,Brand Expression and Archetypes” by T. Girvin [+]
“” by Seifert and Kutilek: [+]
Technical Support
+0.25% .js Type Sizer InDesign Palette by van Blokland and Ford [+][+]
AOTS (Annotated OpenType Specifications) [+]
ASCII (American Standard for Information Interchange) [+]
Acrobat X Essential Training [+]
Adobe Apps Explained [+]
Adobe Optical Size [+]
Adobe Support [+]
Arabic Fonts for Mac [+]
Basic Set of Characters Needed in a Non-Roman Font [+]
Certified PDF [+]
Character Palette in Leopard [+]
Clear Font Cache [+]
Compatibility Tables for Features in HTML5,CSS3,SVG,etc. [+]
DTP Tools [+]
Designer’s Toolkit [+]
Diacritics Project by F. Blažek [+]
Ergonis Typinator [+]
Ergonomics Human Centered Design [+]
Fiery VUE Printing by EFI [+]
FitText Web Plugin [+]
Font Inspector Analytics .py [+]
Font Language Coverage [+]
FontLab Keyboard Shortcuts [+]
Free Online File Converter [+]
Google CSS API [+]
Graphemica [+]
Graphemica Unicode Browser [+]
HTML ASCII Codes [+]
Hebrew Typography Group at Typophile [+]
How To Change Keyboard Layout in Windows [+]
How To Take a Screenshot [+]
How to Install Fonts [+]
ISO 8859-1 (Latin-1) Character List [+][+][+]
Image Resolution [+]
InDesign Help Resource Centre [+]
InDesign Scripts by D. Rodney [+]
InDesign Scripts by T. Silkjaer [+]
InDesign Tabs and Nested Styles Tutorial [+]
Kerning Text [+]
Language Characters Required Samples [+]
Language Support Glyphs [+]
Languages Supported by Latin-1 Encoding (ISO 8859-1) [+][+]
Letter Frequency Meter [+]
List of Typographic Features [+]
MUFI,the Medieval Unicode Font Initiative [+]
MacOSX Fonts List,10.3 ; 10.4 [+][+]
Make Kern File InDesign Script [+]
Matrix of Fonts Bundled with Mac and Windows OSs,MS Office and Adobe CS [+]
Media Training UK Courses [+]
Monotype Language Control [+]
MyFonts International Typography [+]
Nitro PDF Editor (Windows) [+]
Notes on Underware Latin Plus [+]
OS X Features and Shortcuts [+][+]
OS X.10 System Font Replacement [+]
Omniglot Tower of Babel [+]
Online File Converter [+]
Online File Converter [+]
Online epub PDF Converter [+]
OpenType Feature Support in Applications [+]
OpenType User Guide for Adobe Fonts [+]
PDF Standards [+]
PDF to Word Converter [+]
Pan-European WGL Character Set [+][+][+]
Phonetic Fonts [+]
PostScript Print Driver (⌘P .pdf),; [+][+]
PrimoPDF Browser Plugin [+]
Quite PDF Editing Plug-ins [+]
Qwerty Keyboard Layout [+]
Rutgers Guidelines by C. Hedrick [+]
SIL,Computers and Writing Systems [+]
ScriptSource [+]
Shubert PDF Browser Plugin [+]
Shubert Word Browser Plugin [+]
Standard 35 PostScript Fonts Built Into PostScript Printers [+]
Ten Typographic Mistakes Everyone Makes [+]
The ISO 8859 Alphabet Soup [+]
The Language of Šekspīrs (on EU Diacritics) [+]
TypeIt Online Diacritics Keyboard [+]
Unicode [+]
Unicode Character Code Charts [+][+][+][+]
Unicode Character Search [+]
Unicode Table [+]
Using Fonts with OSX,10.3 ; 10.4 [+][+]
Varnishing [+]
Village—OpenType Kerning [+]
Win Central and East European Drivers [+]
Windows Keyboard Layouts [+]
by W. Adams,; [+]
iKern Tool for Autospacing and Autokerning [+]
iOS Fonts [+]
vfb2ufo Font Converter [+]
“A Descriptive Framework for Chinese–English Bilingual Typography” by K. Tam [+]
“African Language Support” [+]
“Arabic-Latin Combinations (Multi Language Fonts)” [+]
“Automatic Page Numbering” by I. Strizver [+]
“Cedilla vs Undercomma Debate” [+]
“Chinese Character Identification” by K. Lunde [+]
“Context of Diacritic,Languages” O. Jób [+]
“Designing Accents and Diacritics FontLab Tutorial” by V. Gaultney [+]
“Diacritics for Small Caps” [+][+]
“Find Same Length Words .py” by R. Craze [+]
“Font Family Naming in FontLab” by A. Twardoch [+]
“Font Naming & OT Production” by K. Luecke [+]
“Fraction Fever” by T. Leming [+]
“Gentium – a Typeface For the Nations” by V. Gaultney [+]
“Get Typographically Correct Text from Word (.doc)” by I. Strizver [+]
“Giving and Receiving Design Feedback” by G. Leonidas [+]
“Good Designers Redesign,Great Designers Realign” by C. Moll [+][+]
“Good Tilde Design” by M. Stuckwisch [+]
“How NOT to Draw Accents” by D.J. Ross [+]
“How do the Japanese write,exactly?” by T. Izumo [+]
“How to Use Angled Guidelines in FontLab” by J. Buivenga [+]
“InDesign Black Output on PDF Export” [+]
“Managing Fonts on OSX” by Extensis [+]
“Multilingual Text” by K. Mansour [+]
“Multiple Character Styles Script” by T. Silkjaer [+]
“On Diacritics” by D. Březina [+]
“On Diacritics” by Y. De Bels [+]
“OpenType Font Production” by K. Luecke [+]
“OpenType Glossary” by J.F. Porchez [+]
“OpenType Stylistic Sets” [+]
“Politic and Type” [+]
“Problems of Diacritic Design” by V. Gaultney [+][+]
“Representing IPA phonetics in ASCII” by E. Kirshenbaum [+]
“Rich Black vs. Plain Black” by D. van Holten [+]
“The Concept of the Font” by Acharya [+]
“The Hidden Glyphs In Your Fonts” by R. Herrmann [+]
“The Quote-like on the Keyboard” by Peterson and Hallmundur [+]
“The Three-Letter Approach to Kerning” by I. Strizver [+]
“TrueType & PostScript Type 1: What’s the Difference?” by T.W. Phinney [+]
“Typography For Lawyers” [+]
“WPF Microsoft Font Selection Model” by Leonov and Brown [+]
“Webfonts Support” by L. de Groot [+]
“Webfonts with Stylistic Sets,Notes & Observations” by Hoefler & Co. [+]
“World-Ready Composer in Adobe CS4” by T. Phinney [+]
“Ð/ð and Þ/þ; The Icelandic Language” by A. Kandal [+]
⌘C⌘V [+]
Technical Writing
247 Web Usability Guidelines [+]
Acrobat Printing Guide [+]
Adobe Accessibility Standards [+][+]
Bloomerang Terminal Screen [+]
DYMO Embossing Type Labelmaker [+][+][+]
Design and Print Production [+]
Editorially (Collaborative Writing) [+]
Exponent () [+]
For Your [Typographic] Information [+]
HTML5 [+]
History of Dictionaries [+][+][+]
ISO Standard Paper Sizes [+][+][+][+]
InDesign Keyboard Shortcuts [+]
International SignWriting Alphabet (ISWA 2010) [+]
JTHTL Journal on Telecommunication and High Technology Law [+]
LCM/GCF Least Common Multiple [+][+]
LaTeX Special Characters [+]
Machine Tags for Type [+]
Metafont Computer Language [+]
Metric Kerning vs Optical Kerning [+]
Multipurpose Internet Mail Extensions [+]
Office of the Yale University Printer [+]
PDF/X [+]
PNG (Portable Network Graphics) format [+][+]
Paperist [+]
Preparing InDesign Files for Accessibility [+]
Proofreaders’ Marks [+]
QR-Code (Quick Response Code) [+][+]
Review of Adobe InDesign CS2 [+]
Sequential or Progressive Numbers in Formulas Rows Function [+]
Spaces [+]
Text Cleaner Functions by TextSoap [+]
The Euro '€' Symbol,,,,; [+][+][+][+][+]
UTF-8 Miscellaneous Symbols and Emojii [+][+]
Understanding and Working with Print Signatures and Folding them Into a Booklet [+]
Video Design and Production [+]
Visualizing Algorithms” by M. Bostok [+][+]
Web Design [+]
Web Design Resources at ScrunchUp [+]
WordPress Tips and Tricks [+]
XMP Extensible Metadata Platform [+]
“ [+]
“About Digital Comics” by Y. Bigerel [+]
“Advice to Autors On Preparing a Manuscript” by Taylor and Francis [+]
“Bar Coding” by J. Rongitsch [+][+][+]
“Beta-testing Type: Print Proofing” [+]
“Beyond Braille” by N. López [+][+]
“CRI Medicine Labelling” by D. Sless [+]
“Chartwell Infographic Font” by T. Kochel [+][+]
“DPI for Dummies: Images on Mobile Devices”,by C. Cohen [+]
“Default Systems in Graphic Design” by Giampietro and VanderLans [+]
“Default UI” by F. Özkaramanlı [+]
“Design Machines: How to Survive the Digital [Content] Apocalypse” by T. Gertz [+]
“Designer As Publisher” by R. Kinross [+]
“Dictionary Design Bibliography” [+]
“Differences,Pros and Cons Between Metric and Optical (Adobe CC)” [+]
“Do Typefaces Really Matter?” by BBC [+]
“Flawless Typographic Checklist” by J. Shoaf [+][+][+][+]
“Font Haking” by H. Pickering [+]
“Font Metrics” by W. Thayer [+]
“From Font Designer to FontLab Studio” by A. Twardoch [+]
“Glossary of Internet and Web Jargon” by UC Berkeley [+]
“God (or Devil) in the Details: Text Typography” by K. Tam [+]
“Grammar of Comic-book Typography” by N. Piekos [+][+]
“How (Not) to Write Like a Designer” by Core77 [+][+]
“How Much Are Books Proofread Before They Are Published” [+]
“Index,Pointing Hand/Fist or Manicule” ☞ [+][+]
“Information Design Is Typography” by O. Reichenstein [+]
“Kerning Features in QuarkXPress and InDesign” by I. Strizver [+]
“LaTeX Guide (2003)” by P. Flynn [+]
“Logo,Bullshit & Co.,Inc.” by O. Reichstein [+]
“Logotype Guide” by K. Woodward [+]
“MacOS X Üzerinde Türkçe Yazım (İmlâ) Denetimi” by M. Bakunin [+]
“Microtypography,Designing the New Collins Dictionaries” by P. Bilak [+][+]
“Navigating Today's Signs“ by M. Hora [+]
“New to DTP” [+]
“Open Source Architecture Manifesto” by C. Ratti [+]
“Origin of Music Notation ()“ by B. Blood [+][+][+]
“PhD in Small Caps” [+]
“Prolegomena to Library Classification” by S.R. Ranganathan [+]
“Responsive Web Design Guidelines” by Smashing Editorial [+]
“Rivers of White” [+]
“Sans Bullshit Sans” by R. Nieskens [+][+][+]
“Screenplay Typography Project” by K. Tam [+]
“Semiotics and Writing Systems” by A. Proskurina [+]
“Should I Subset Fonts When Making a PDF?” by E. Bruno [+]
“Tech: Book Design” by D. McMurrey [+]
“Text Messaging SMS Turns 20” by J. O'Mahony [+]
“Text-To-Width Script by C. Lewis [+]
“The Art of Details” by B. Warren [+]
“The Evolution of Composition Technology” by A. Frutiger [+][+]
“The Keyboard: A Tool Kit” by M. Kisman [+]
“The Print Clock: A Method for Dating Early Books and Prints” by S.B. Hedges [+]
“Thinking Outside the Inbox” by A. Cooper [+][+]
“Three Typefaces for Mathematics” by D. Rhatigan [+]
“Timepiece Rounded OpenType Clock” by Inostudio [+]
“To Double-Space or Not to Double-Space…” by J. Felici [+]
“Two Spaces After a Period: Why You Should Never,Ever Do It.” by F. Manjoo [+]
“Typesetting Mysteries Demystified” by I. Strizver [+]
“Typography Checklist” by I. Strizver [+]
“What Semiotic for Design?” by S. Zingale [+]
“What’s a Ligature,Anyway?” by R. Herrmann [+]
“Why Some Texts on Book Spines and Bottles Read From Bottom to Top” thread [+]
“Word,Quark or InDesign; ” by D. Williams [+]
Text Genererators
8 Letters in Search of a Word [+]
ACET [+]
Adhesion by M. Sousa [+]
Ahrens’ [+]
Art21 Synthesis Machine [+]
Automatic Text,Phyton FL Script [+]
BBC World Service [+]
Bacon Ipsum [+]
Beautiful Dingbats [+]
Binary to Text Conversion [+]
Blindtext [+]
Eki Letter Database [+]
Hyphenation Online Tool [+]
Malevole [+]
Mirror,Invert,and Reverse [+]
OCR Online Optical Character Recognition [+][+]
P22 Music Text Composition Generator [+]
Pangram (Holoalphabetic Sentence) [+][+][+][+]
Pangrammer by M. Simonson [+]
Project Gutenberg [+]
Spacing and Kerning Lists [+][+][+][+]
Spell with Flickr [+]
Textile Web Text Generator [+][+]
The Daily Pangram [+]
Typorganism [+]
Universal Declaration of Human Rights [+][+]
Word Clouds [+]
Word by Letter [+]
Wordoid Creative Naming Service [+]
Wowio Free Books [+]
“Ascii Conversion Applet” by J. Sulman [+]
“Hamburgefontsiv” [+]
“IBM IMPACT Helping Europe Scan Historical Documents” by L. Whitney [+][+]
“In Defense of ” by K. McGrane [+]
“Languages At a Glance” thread [+][+]
“Lyric Hyphenator” by J. Brennan [+]
“Pack My Box With Five Dozen Liquor Jugs” [+]
“Typable Text Manipulator” by O. Jób [+]
“word-o-mat” by N. Stössinger [+]
The Grid
Grid (Page Layout) [+]
Gridzzly (DIY Grid Paper) [+]
Hashgrid Tool [+]
InDesign Grid Calculator Pro [+]
Paper Browser [+]
Sketch Sheets for Web Designers [+]
Sketching,Wireframing and Note-Taking Templates [+]
The Art of The Grid [+]
The Greatest Manhattan Grid [+]
by F. Özkaramanlı [+]
by T. Brown and S. Kellum [+][+]
“About Grid Systems” by D. Colley [+]
“Baseline Grid Example” by K. Tam [+]
“Baseline Grid in InDesign” [+][+]
“Can the Grid Really Be Broken” [+]
“Designing & Thinking with Grids” by B. Sitek [+]
“Establishing Your Grid In Photoshop” by S. Schoeffel [+]
“Golden Section Illustration” by I. Gulkov [+]
“Grid Principles” by E. Lupton [+]
“Grid Systems” by S. Ármannsson [+]
“Grids Are Good” by M. Boulton [+]
“Grids For Sketching” by B. Martineau [+]
“Moleskine Templates” by R. Graves [+]
“Myths and Misconceptions About Grid Systems” by A. Carusone [+]
“On Hybrids” by E. Block [+]
“Pixel Proliferation Toolset” by Punchcut [+]
“Simple Steps to Designing Grid Systems” by M. Boulton [+]
“The Golden Section Family” by M. Reynolds [+]
“The Vignelli Canon” by M. Vignelli [+][+]
“Type Specification Sheet” by J. Craig [+]
“Typography Is a Grid” by A. Froshaug [+]
“Villard Diagram,Dividing a Segment In n Parts” by D. Capo [+]
“iAd Wireframe Stencils” by S. Boms [+]
Type Classification
Classification by E. Lupton [+]
Design Is History () [+]
Discover.typography by H&Co [+]
FF The 100 Best Fonts of All Time () [+]
Femmebot Google Fonts [+]
Fontpair Google Fonts [+]
Fonts In Use @fontsinuse [+][+]
Illumination [+]
Letters Relationship [+]
Linotype Fonts by Themes [+]
Modernism [+]
ParaType Font Classification [+]
Serif Types Small Chart [+]
The Right Font and Format for the Job [+]
Type Terminology by J. Boardley (iLT) [+][+][+][+]
Typeface Anatomy [+]
Typeface Classification Schemes [+]
Typeface Pairing i.e. Mixing Type [+][+][+][+][+]
Vox 13 [+]
Vox 13 Classification [+]
“A Typeface For Reading” by R. Waller [+]
“Best Practices of Combining Typefaces” by D. Bonneville [+]
“Choosing a Font for Book Design” [+]
“Combining Typefaces: Free Guide to Great Typography” by T. Brown [+][+]
“Cult of the Ugly” by S. Heller [+]
“Elzevir Letter” by J. Mosley [+]
“Font for Multilingual Books” [+]
“Grotesque Classification” [+]
“How to Pick and Pair a Custom Font” by L. Sander (Apple WWDC) [+]
“On Classifying Type” by J. Hoefler [+]
“Periodic Table of Typefaces” by C. Wilde [+][+]
“Picking Typefaces” by F. Chimero [+]
“So You Need a Typeface” by J. Hansen [+]
“TDC Top 100 Typefaces” by P. Shaw [+]
“Top Ten Typefaces Used by Book Design Winners” by S. Coles [+]
“Type Classification eBook” by J. Cass [+]
“Type Combos” by C. de Bartolo [+]
“Type Comparisons” by R. Giampietro [+]
“Type Connection” Pairing Game by A. Seltzer [+]
“Typewolf Font Recommendations and Lookbooks” by J. Shoaf [+]
“What if Type Were Car?” by L. Perondi [+]
Type Design
Adobe Typography Primer [+][+][+]
Better UI for Better Typography [+][+]
Bezier (Spline) Curves [+][+][+]
Blackletter Resources [+][+][+][+][+][+]
Bond Writing Robot [+]
Character Design Standards [+]
City Font Project [+]
Cyrus Highsmith’s Interview [+][+][+][+][+]
Daily Drop Cap [+]
Design Principles by Adactio [+]
Donald Knuth 3rd Dr. Peter Karow Award [+][+]
Dutch Type Library Specimens [+]
ESAD Personal Views Lectures [+][+]
Fine Typography by Monotype [+]
Font Bureau David Berlow’s Type Specimens [+]
Font Glyph Synopsis [+]
FontShop Education [+]
Handwriting,Lettering and Calligraphy Inspiration [+]
Hirschvogel’s Geometria 1543 [+]
House Letters & Ligatures Exhibition by House Industries [+]
Ink Traps [+]
Issue #100 Highlights [+]
Italics,True Italics,Slanted,and Oblique [+][+][+]
Joe Churchward’s Work at Te Papa’s Archival [+]
KABK Type]Media [+][+][+][+][+][+][+][+][+]
KalliCulator Automatic Calligraphy,; [+][+]
Khatt Foundation (Center for Arabic Typography) [+]
Letter as Image [+]
LetterPlayground [+]
Lettering [+]
List of Typographic Features [+]
Live Pen Calligraphic Drawing Software [+]
MATD Reading Typeface Design Master Class [+][+][+]
Meet Your Type: [+]
Microsoft Typography [+]
Monospace Typography [+]
Morisawa Type Design Competition 2012 [+]
Notan [+]
Numbers at Hoefler & Frere-Jones [+]
OSF Figures – Old Style,Text and Lining [+]
Oketz,An Introduction to Hebrew Type [+][+]
On the Necessity of Italics [+]
On-Canvas Glyph Selection In Adobe InDesign CC [+][+]
Original Drawings for by B. de Does [+][+]
Ornamental Typography at BibliOdyssey [+]
P22 Analog [+]
Paul Shaw Letter Design [+]
Robert Bringhurst and Arabic Typography [+]
Text Figures (Numerals) [+]
The Boston Globe Interviews David Berlow [+]
The Eyeballing Game () [+]
The Wolpe Collection by Monotype [+][+]
True Type Apple Reference Manual [+]
Type Design Rules-of-Thumb [+]
Type Directors Club [+]
TypeClinic International Type Design Workshops [+]
TypeCooker by E. van Blokland [+]
TypeCulture Articles and Essays [+]
Typeface Design at Reading [+][+]
Typester Mapping [+]
Typographic Education Forum [+]
Typographica Typeface Reviews [+]
Typography Education Directory [+]
Typography and Lettering Pool [+]
Typophile Pool [+]
Underware Type Basics [+]
Width Tool Illustrator [+]
‘S’ design [+]
“10 Common Typography Mistakes” by B. Hoff [+]
“A Brief Guide to Basic Typography” by D. Ross [+]
“A Brief History of Sans Serif” by B. Pitoyo [+]
“A Few Things I’ve Learned About Typeface Design” by G. Leonidas [+]
“A Shameless Plug for Custom Typefaces” by B. Maag [+]
“A Typographic Anatomy Lesson” by Y. Peters [+]
“A Year of Type Design: Parallel Thinking,Parallel Histories” by B. Mitchell [+]
“About Default Lining Figures and Building Fonts” by D. Reynolds [+]
“Against Anti-foundationalism” by E. Earls [+][+]
“All Font Chars” by F. Schiavi [+]
“An Alphabet Book” by B. Fry [+]
“An Introduction to OpenType Substitution Features” by Wenzel and Koeberlin [+]
“Anatomy of a Character” by I. Strizver [+]
“Andy Clymer About the Creation of Obsidian” by R. Hermann [+]
“Anthropomorphism in Typography” by M. Yow [+]
“Arabic Calligraphy as a Typographic Exercise” by J. Kaestle [+][+]
“Between Writing & Type: the Stencil Letter” by Y. Peters [+]
“Bezier Warp Math” by T. Chrystie [+]
“Blackletter Social Aspects” [+][+]
“BubbleKern for Glyphs” bu T. Omagari [+]
“Bézier Curves and Type Design” by F.D. Martins [+]
“Call It What It Is” by J. Downer [+]
“Collaborative Type Design Workshops Without Computers” by D. Crossland [+]
“Continuing Studies in Typography” by I. Strizver [+]
“Contrast & Stress Shaping Game” by D. Ross [+]
“Corporate Type” by E. Spiekermann [+]
“Create Lettering With Adobe CC Tools” [+]
“Creating Type to Echo Changes in Visual Culture” by A. Slobzheninov [+]
“Crimes Against Typography” by S. Heller [+]
“Cycles” Text Font by S. Stone [+]
“Cyrillics I Really Need to Bother With” by R. Larabie [+]
“Decriminalizing Typography: Declaring an End to the War on ‘Type Crimes’” by P. Shaw [+]
“Design Education,Part I” by P. Biľak [+]
“Design a Bold From a Regular” [+]
“Designing Type Systems” by P. Biľak [+]
“Designing Type(faces)” by G. Everet [+]
“Detesto la Calli-grafia” by S. Polano [+]
“Development of Sanserif in 20th” [+]
“Development of the New Version of the Dutch Stamp” by P. Bilak [+]
“Digital Type Primer” by K. Tam [+]
“Do We Need More Fonts?” by C. Highsmith [+]
“Drawing Ovals and Ellipses With the Compasses” by E.G. Lutz [+][+]
“Drawn to Digital” by E. Berliner [+]
“Ductus and Glyph Identity” [+]
“Everything Is Type” A. Helmling [+]
“Experimental Typography. Whatever That Means” by P. Bilak [+]
“FF Yoga Design Process” by X. Dupré [+]
“Failed Roman A ()” by NID Language Research [+]
“Family of Letters” by J. Kennard [+]
“Fette Fraktur Typeface 1850” by N. Chung [+]
“Five Steps to Better Typography: Ligatures” by M. Boulton [+]
“Fluid Mechanics: Typography Now” by E. Lupton [+]
“Font Design as Software?” [+]
“Font Metrics” by W. Thayer [+]
“Form,Pattern & Texture in the Typographic Image” by Bigelow and Holmes [+][+]
“FreeType Glyph Conventions” by D. Turner [+]
“Graphic Designer vs. Typographer” [+]
“Haas Unica Research” [+]
“How Much Do I Charge My Client” [+]
“How To Choose the Right Face for a Beautiful Body” by D. Reynolds [+]
“How To Design a Typeface: A Step-by-step Guide” by M. Harris [+]
“How to Explain Why Typography Matters” by T. Phinney [+]
“Interletrado,” by J. Gaitto [+]
“It’s Time To Act” by Alphabettes [+]
“Kerning Exercise” by R. Giampietro [+]
“Krazy About K” by P. Patton [+]
“Learning the Craft Through Study and Apprenticeship” by C. Highsmith [+]
“Leipziger Lives Again”,by T. Ahrens [+]
“Lettering is Not Type: Clear Definitions for Commonly Abused Terms” by S. Coles [+]
“Lost In Flatlands” by G. Leonidas [+]
“Making a Handwritten Font” by H. Geisler [+]
“Mastering the Bezier Curve in Sketch” by P. Nowell [+][+]
“Math and Optics in Type Design” by A. Studer [+]
“Miscellanea; Important Aspects of Typeface Design” by G. Munch [+]
“Mongolian Script” by J. De Baerdemaeker [+]
“My Typography Course” by J.F. Porchez [+][+]
“New Fonts: ” by Hoefler and Frere-Jones [+]
“No,There Are Not Enough Typefaces Already” by C. Highsmith [+][+]
“Notes on Arabic Font Specimen” by K. Luecke [+]
“Ode,a Fresh Start for a Broken Script” by M. Wenzel [+]
“Oldrich Menhart” by V. Burian [+]
“On the Kerning Game” by Paul Shaw [+][+][+]
“On Kerning and Metrics” by F.D. Martins [+]
“On Minimum Quality in Typeface Design” by G. Leonidas [+]
“On the Origin of Pattering (harmonics,patterns,dynamics) in Movable Latin Type” by F.E. Blokland [+][+]
“PayPal Sans Design Information” by K. Sowersby [+]
“Phonetikana: English and Japanse Script” by M. Johnson [+]
“Point Size and the Em Square: Not What People Think” by T. Phinney [+]
“Pool Tells the Story of the New FF DIN Round” by I. Gabrowitsch [+]
“Practical Typography” by M. Butterick [+]
“Preparation for Greek Typeface Design” by G. Leonidas [+]
“Proof It” by J,Edmondson [+]
“Proportional vs. Tabular Figures” by I. Strizver [+]
“Reverse Noordzij Cube Demo” by D. Ross [+]
“Rhythm in Type Design” by A. Lo Celso [+]
“Sense & Sensibility” by N. Shinn [+]
“Shape Type Letter Shaping Game” by M. MacKay [+]
“Sidebearings Articles” by R. Toman [+]
“Sindelar Design Process” by S. Willerstorfer [+]
“Slab Serifs” by I. Strizver [+]
“Some Open Thoughts About OpenType” by J. Sysmäläinen [+]
“Spacing Essay” by F. de Mello [+]
“Standard Ligatures,OpenType at Work” by Y. Peters [+]
“Start Off with a Bang” by I. Strizver [+]
“Stencil Alphabets: Interrupted Strokes and Divided Shapes” by F. Ulrich [+]
“Stretching Type; Type Taboo” [+]
“Styles,Weights,Widths; It’s All in The (Type) Family” by Y. Peters [+]
“Swift Strokes and Sampled Construct” by G. Leonidas [+]
“TeX TypeSpec” by S. Moye [+]
“The Atlantic; Talks Typography” with M. Bierut [+]
“The Capital Sharp S of the German Government” by R. Herrmann [+]
“The Creation of FF Unit Slab” by Y. Peters [+]
“The Em and Sidebearings” [+][+][+]
“The Em” by C. Highsmith [+]
“The Essential Structure of (Hindi) Letterforms” by S. Rajpurohit [+]
“The Great ‘Cedilla vs Undercomma’ debate” [+]
“The Heroic Powers and the Weaknesses of Superfamilies” by R. Elnar [+]
“The Human Side of Sans Serif” by J.D. Berry [+]
“The Meaning of Type” by S. Heller [+]
“The Next Ten Years” by G. Leonidas [+]
“The Process of Creating a [Script] Font” by Hallmark [+]
“The Real Meaning of Writing” by G. Noordzij [+]
“The Revival of Slab Serif in 20th” [+]
“The Sound of Shapes & Shape of Sounds” by J. van Rossum [+]
“The Value of Type” by E. van Blokland [+]
“Thinking with Type” by E. Lupton [+]
“This is the New Typography (and the Typefaces that Make it Work)” by G. Leonidas [+]
“Tools,Techniques,and Innovation (in Typographic Design) by G. Leonidas [+]
“Toolspace” by J. Middendorp [+]
“Torch: Drawing Letters” by T. Brown [+]
“Towards an Ideal OpenType User Interface” by K. Sowersby [+]
“True to Type: Why Letters Are a Labour of Love” by S. Garfield [+]
“Turnip Patch Meets Type Technology” by E. Shapiro and D.J. Ross [+]
“Type Design FAQ” by J. Puckett [+]
“Type Design Philosophy” by M. Majoor [+][+][+]
“Type Is Art” Interactive Project by J. Rodriguez [+][+]
“Type Is Designed By Real People With Real Feelings” by Y. Peters [+]
“Type Size” by E. Lupton [+]
“Type,Handwriting and Lettering” by G. Briem [+]
“TypeEdu/Teaching” by H. Famira [+][+]
“Typographic Illusions” by H&Co [+]
“Typography Basics” by A. Segalini [+]
“Typography Cheatsheet” by J. Shoaf [+]
“Typography Is a Grid” by A. Froshaug [+]
“Typography and Systems” by M. Sesma [+]
“Unger‘s Workshop at Reading” by A. Cavedoni [+]
“Untitled Sans & Serif Design Information” by K. Sowersby [+]
“Using Illustrator to Draw Fonts for Importing Into FontLab” by S. Ármannsson [+]
“Vector Drawing Mistakes” by J.P. De Gregorio [+]
“Vector Drawing” by J.P. De Gregorio [+]
“What If Type Were a Car?” by L. Perondi [+]
“What Is It Like to Be a Type Designer?” thread [+]
“What Type Taught Me About Music” by R. Finlay [+]
“What the Font You Choose Says About You” by Bennett and Black [+]
“What’s a Ligature,Anyway?” by R. Herrmann [+]
“Where Are the Women in Type Design?” by V. Gerlach [+]
“Why Do We (Still) Use Cyrillic” by A. Vanyashin [+]
“Why Should I Learn To Draw?” [+]
“Why Study Typography” [+]
“Why a Better OpenType UI Matters” by Y. Peters [+]
“Women in Type”,,,,,a,an [+][+][+][+][+][+]
“X Poggendorff Illusion” by R. Craze [+]
“x-Height and Descenders” by J. George [+]
”Esszet or ß” by J. Mosley [+]
”Italic Subtleties” by T. Omagari [+][+]
”Type Design and Typography” at [+][+]
”Type Hunger,Lettering and Type” by E. Lupton [+]
Type Size & Conversions
Font Size Conversion Chart [+][+]
Golden Ratio Size/CPL Optimizer [+]
Optical Size Calculator [+]
Responsive Typography Demo [+]
Type Scale Visual Calculator [+]
Typographic Unit Conversions [+][+]
“Father Truchet,the typographic point,the Romain du roi” by André and Girou [+]
Type Talks and Conferences
ATypI [+]
ISType [+]
TYPO Labs [+]
TYPO Talks [+]
TypeEd Webinars [+]
Typographics [+]
Variable Fonts
#variablefonts [+]
InDesign CC and VAR Support [+]
OTVar at TypeDrawers [+]
TypeNetwork Opentype Font Variations [+]
V-Fonts [+]
“About Variable Fonts” by J. Pamental & al. [+]
“An Introduction to Variable Fonts” by J. Pamental [+]
“Dynamic Font Day” by Underware [+]
“From Modular Scales to Variable Fonts” by S. Kellum [+]
“How to Animate a Variable Font” by Drawbot [+]
“Introducing OpenType Variable Fonts” ATypI 2016 Warsaw Panel [+][+][+]
“Introducing OpenType Variable Fonts” by J. Hudson [+][+]
“Typearture Animation” by A. Reinders [+]
“Typographic Potential of Variable Fonts” by B. Berning [+][+]
“User Interface in Type Design,Opportunities in Variable Fonts” by S. Orozco [+]
“Variable Fonts & The Future of Web Design” by J. Pamental [+]
“Variable Fonts: What web authors need to know” by J. Pamental [+]
“Variable Fonts’ Past,Present and Future,According to Dalton Maag” by B. Berning [+]
Vernacular Type
Chicago Type [+]
The Center for Vernacular Typography [+][+]
The Journal of Urban Typography [+]
Type Nesting [+]
Villatype Found Lettering [+]
“Guerrilla Typography” by C. Webb [+]
“Letters” by A. Cavedoni [+]
“Letters” by T. Leming [+]
“Numbers” by G. Fuga [+]
“Public Lettering” by P. Baines [+]
“TypoTrip,Typography on the Road” by W. Mejor [+]
Wayfinding and Signage
Curbside Haiku NYC Street Signs: [+][+]
Eye Catch Signs Tactile Maps [+]
F37 Beckett by R. Banks [+][+]
Sign Design Society [+]
Wayfinding News [+]
Wayfinding News [+]
“Books on Signage and Wayfinding” by R. Herrmann [+]
“Brisbane (Australia)” by T. Leinster [+]
“British Motorway Signage System” by Kinneir and Calvert [+][+]
“Cities and Their Typographic Associations” by G. Johansson [+][+]
“Councils UK Urged to Remove Unnecessary Street Signs” by BBC News [+]
“Critical Wayfinding” by E. Lupton [+]
“Designers of the Signs That Guide You” by A. Rawsthorn [+]
“Designing the Ultimate Wayfinding Typeface” by R. Herrmann [+][+][+]
“Entypo Pictograms” by D. Bruce [+]
“London’s New Walking Wayfinding Maps” by D. Reid [+]
“NYC Parks” by Pentagram [+]
“On Visiting a Warship / [+]
“Places Need Signs” by R. Waller [+]
“Symbol Signs” by AIGA [+]
“Thank You For Not Smoking” on Signage by R. Caplan [+]
“The Design of a Signage Typeface” by R. Herrmann [+]
“The London Tube Map For a Multiscreen World” by J. Pavlus [+][+]
“Visual Guide to Typefaces Used On European Road Signs” by R. Herrmann [+]
“Walk [Your City]” by M. Tomasulo [+][+]
“Wayfinding Handbook” by D. Gibson [+][+]
“Wayfinding Systems” by L. Wyman [+]
“Wayfinding” by K. Brandon [+]
“What‘s Your Signage” by SBDC [+]
“With No Display Map at Penn Station,Amtrak Misses an Opportunity” by A. Bernstein [+]
